The best 250 songs of the noughties: 75-51

250-226 | 225-201 | 200-176 | 175-151
150-126 | 125-101 | 100-76 | 75-51
50-41 | 40-31 | 30-21 | 20-11
10-4 | 3-1

75. Bomb The Music Industry! - I Don't Love You Anymore
This free song is a brilliant little song. It’s proof that just because something is given away free on the internet, doesn’t mean that it’s not worthy of your devotion. Everything you could possibly want from music is here. Brilliant sing-a-long vocals, Saxophone, trumpets, Jeff Rosenstock, Keyboards, Whistle, Guitars, Trombone, drums, Jeff Rosenstock’s mates doing gang vocals and a Wurlitzer. Put it all together and you have a superb party song. Beast! Download

74. Beloved - Insult To Injury
This song has, hands down, the best, hands up, beatdown in it. It’s so fucking brutal, and it spawns itself into other beatdowns, which are even more brutal. One time, one of my mates crept into my house while I was sleeping and put this one at full volume to wake me from my near-comatose dream state. To my mind, the second best wake up call I could ever hope to receive. Beloved were an inspiringly good band, just a shame that they had to split up after creating one of the best modern Hardcore albums of the noughties. Listen

73. Comeback Kid - Wake The Dead
Another member of the best modern Hardcore bands out in the noughties, Comeback Kid have had a few good albums in that time. This is an undeniable song that is just so fucking energetic and fun that you can’t help but move with it. It’s a beast, and if it came on ANYWHERE, I’d be up there with the rest of the smart people rocking out till my head fell off.


72. Vampire Weekend - A-Punk
It’s poppy, it’s twee, it’s light and airy, it’s everything that defines Vampire Weekend. They may be relatively new, but as soon as they were on the scene, ‘A-Punk’ was a bona fide hit of stellar proportions. Like a freight-train, you’d be unable to stop them becoming a household name, and now that they are, I’m sure we’re all better off, right? Video

71. Dan Le Sac VS Scroobius Pip - Letter From God To Man
Even if the entire rest of the song was terrible, the lyrics would make up for it. Luckily that’s not the case, as Scroobius Pips beats are as good here as with any of the dynamic duo’s music, and that is nothing short of superb. However, it’s Dan Le Sac that shines here, as always. His tongue is one of the most overworked elements of his entire body, and I am certainly glad for it, as this song is full of fire and brimstone. It is exactly as it described; a ‘Letter From God To Man’ and God isn’t best pleased with us, and quite rightly so. “It was you that invented bombs, and the fear that comes with them, and it was you that invented money, and the corrupt economic systems, you invented terms like just-war and terms like friendly fire.” Listing this and many other atrocities that man has committed, and it’s fan-bloody-tastic. It’s so on point and so poignant, and so full of everything that is wrong in the world that it creates a clear and concise picture of exactly how fucked we all are. Beautiful. Listen/Lyrics

70. Take A Worm For A Walk Week - Whip It (Devo Cover)
Now, you may have noticed, but I’ve tried to keep covers out of this list so badly. I decided that I’d let one or two slip through. Sure, you could argue that Futureheads ‘Hounds Of Love’ was ‘deserving’ of a place, but I could argue “fuck you! It’s my bloody list!” And so, one of the best bands in Scotland, let alone Britain, Europe or the World, Take A Worm For A Walk Week are a stupendously good band. My dad is an absolutely huge Devo fan, but he bloody hates TAWFAWW. He said that he loved it, and as much it might sound crazy, this chaotic cover is exactly what Take A Worm For A Walk Week are like… well, maybe a little more mental. Anyway, it’s a perfect cover, it never looses the brilliance of the original or everything that makes TAWFAWW what they are. It’s superb. Listen

69. Paramore - Misery Business
Fuck the haters. Anyone who can’t see that Paramore are a Pop-Hardcore band are silly folk. Sure, It’s light on the heavy elements, but it still has the brilliant drums, guitar and bass working for it. It has a very confident swagger, something which Paramore earned from their first go on the album roundabout. It’s everything that makes Pop work with quite a few elements of Hardcore working for it too. It’s fun, and it doesn’t pretend to be anything it’s not. Perfect. Video

68. Reuben - Song For Saturday
Welcome back, Reuben. Reuben released their first album in 2004 and it was the best album I owned for years. This is, I feel, one of the best tracks on there. It’s down-tempo, which for it’s surroundings was little odd for Reuben at the time. However, it paved the way for Reuben to expand their sound to more down-tempo numbers, which became a staple of Reuben albums from then on. The lyrics for me, are some of the best that Reuben ever put out, and the album was never off my CD player for months on end. It’s a song that means a great deal to me and thus, it’s place here is more than deserved, it’s earned. Listen here

67. Taking Back Sunday - Make damn sure
Ever since I heard this song I was in love with it. It’s a brilliant song with fantastic pop elements that play on all of the best elements of TBS’s signature sound. Lazzara’s vocals are at their best here, giving out all the emotion he can muster. From their final album with Fred Mascherino, for me the definitive TBS line up, this was the best song that they ever made together and Mascherino’s rasping vocals boost Lazzara’s to be exactly where they need to be. If anything this song is proof that without Fred, Taking Back Sunday are not worth the time. Video

66. Finch - Worms of the Earth
When Finch hit out with ‘Worms Of The Earth’ I was taken aback by the sheer visceral sound that I was hearing. It was purely different from anything that they had recorded previously and was truly a fantastic step on the road to their second album and the self-titled EP. It blows out of your speakers with pure ferociousness and spits fireballs into the eyes of kittens. It’s that fucking crazy, and it’s the best song they’ve ever cultivated from the ground up. Superb.


65. Gorillaz - Feel Good Inc
Are you going to sit there, and tell me this wouldn’t be in your list? No. You’re not. Gorillaz collaboration with De La Soul was much better than I had ever hoped it would be, as this song gets better with every listen. Everything about it creates an eerie sound that is undeniably creepy yet endearing; the thumping bass, the laughter, the human whisper beatbox, the low-emotion Damon Albarn on vocals. It’s bloody good, innit? Video

64. Imogen Heap - Hide and Seek
This song is so stripped back it’s almost not a song. But it is. It’s basically only got vocals running through a keyboard which distorts the output, and that’s it. It’s amazing, though. ‘Hide And Seek’ has been used in a lot of TV and films, so it’s clear I’m not the only person who thinks it. Imogen Heap’s vocals are usually pretty damn unique without the added vocal effects, but here they shine brighter than ever before, and the song immerses you almost entirely in a wash of beautiful sound. It’s god damn wonderful. Listen

63. Killswitch Engage - The End of Heartache
Killswitch Engage have a habit of writing immensely brutal riff and pairing them with incredibly melodic singing vocals. Here, it works better than ever, acting almost as a question and answer session between Howard Jones on vocals and the rest of the band. I fucking love it. It really is Killswitch Engage at their very best, with every player in the band in the best of their element, and what more can you want from them? Video

62. My Chemical Romance - I'm Not Okay (I Promise)
Let’s face it, this is one of the best pop songs that the Noughties produced. My Chemical Romance stepped out from the shadows on their second album and wowed absolutely everybody by releasing this incredibly upbeat song, even if the lyrics are what they are. With it’s queen-esque solo, a bursting teenage ambition and rock n roll swagger to boot, ‘I’m Not Okay (I Promise)’ is just an incredible bit of songwriting. Video

61. Billy Talent - Red Flag
Billy Talent have always been very good. Only here, they’re better. It’s ferocious, it’s anthemic, it’s chaotic, it’s angsty and it’s full of fucking bass. They’ve always been able to capture their live sound very, very well, and this is not only no different, it’s the best example of it. I may not have ever had as much fun at a gig as I did at the Billy Talent gig when they played this. I had went to see the support, Reuben, but found myself pulled into the crowd of the main show. It was a highly enjoyable evening, and the response to this song was exquisite. If you could bottle it, it’d be priceless. Video

60. Hundred Reasons - I'll Find You
Oh wait, I think I just lied about that last one there. Every time I’ve ever seen Hundred Reasons has been the most fun I’ve had at gigs… maybe. Well, that’s because of songs like this. It’s so energetic and gets you so pumped up that you can’t help but jump up and down to it! I’ve seen HR quite a few times over the years, and I always manage to have fun, cept for that time I got my wallet stolen, but that wasn’t their fault. Anyway, they are champs as this kind of energetic music. At least, they used to be… Video

59. Million Dead - To Whom It May Concern
It took me longer than it should have to originally warm up to Million Dead, but once I had there was no cooling me down. Except, it took me really fucking long, and I only got to see them live once, at their last ever Glasgow gig. Sigh. Anyway, this is one of their best songs. It’s full of brilliant lyrics and excellent guitar/bass/drums. But what’s really good about this song is the ending. It does a bit of a fake ending, and we already know how much I love those. It then comes in like a summer hit with a chorus of dispirit workers screaming to be heard “I’m only working here, cos I need the fucking money!” It’s beautiful. Video

58. Biffy Clyro - Saturday Superhouse
I think I and anyone else who watched T in the Park highlights last year, almost got sick of hearing the opening riff from this song. However, it’s so bloody good it prevailed that, and the song itself is a bloody brilliant one. The riff itself, the chorus, the fact that it’s Biffy Clyro, who tend to not ever go wrong, at least on singles. It’s great and it’s lovely and poppy too. Video

57. Sikth - Scent of the Obscene
And now for something completely different… This was the first thing I think anybody who has heard of Sikth heard. For one thing, it definitely leaves a lasting impression. Quintessential Sikth, ‘Scent Of The Obscene’ came out of nowhere to be one of the best damn songs I heard in that year. Everything that can be off kilter is, yet the noise you’d expect from that kind of statement isn’t as messy as all that. It’s all structured so well, and Sikth themselves are just a brilliant mix of musicians that it never fails and it never ever gives up. Sounding a bit like a horse with 9 legs, Sikth race to the finish, which happens to be an exploding sun, all while staying pretty melodic and bringing in a bloody brilliant chorus. Well done, Sikth! Video

56. Andrew WK - Party Hard
Hands down, the best fucking party song ever created by any person ever. The man, the myth, the legend; Andrew WK. What a fucking genius. Clearly went a bit sideways with the solo piano album, but everything else is just a blinding fun time, innit?


55. The Bled - My Assassin
The Bled are a brilliant, underestimated little band. When they brought out ‘Pass The Flask’ I tended to think they were good, but too messy to make a great record. Thankfully, I was wrong. They were just messy enough to create ‘Found In The Flood’, an absolutely mesmerising album, which includes this brilliant song. It so captivates me that sometimes I can’t believe it’s even the same band. However, it is and this incredible song is more than enough proof of how damn good this band can be. Listen

54. Sigur Ros - Untitled (Njósnavélin)
I first heard this song on a brilliant little movie I absolutely loved called Vanilla Sky. I especially loved the soundtrack, which featured this brilliant song as it’s closing piece. Sigur Ros are known for making incredibly atmospheric music that puts every foot right, and this is no different. Maybe a little different, as it is high above most other music the band have produced. It’s got such a warm sound that washes over you, pulling you along with the current and taking you to a magical island full of light and sound. (How fucking pretentious was that, eh? True though.) Listen

53. Thrice - The Earth Will Shake
This is the first time I ever heard Thrice that I had to take a step back from the song for a minute and think long and hard. Before ‘Vheissu’ Thrice were a good post-hardcore band, there’s no doubt about that. However, upon releasing ‘Vheissu’ Thrice emerged as something altogether more interesting and evolved. They took their signature sound and brought it to the next level, and incorporated some incredibly interesting elements of musical history into the mix. For this particular song, Thrice mixed in an incredible section of chain gang chant choruses that took the song, and in fact the entire album to a higher level than I thought they would ever have achieved. It’s one that they have continued since, and I am more than happy to watch them bloom with every album. Listen

52. *Shels - The Conference Of The Birds
On Hear New Music 002 I said “This one was on a Rock Sound CD, where I was first introduced to the band, and sat in awe as I listened, then replayed it at least twice, before using my hard earned cash to import this album on Amazon. Incredible song and album.” I feel exactly the same now as I did then. *Shels have proved their worth by continuing to appear in my CD player over and over again. Bloody superb. Listen

51. No Comply - A Waking Dream
This epic album closer from No Comply is a perfect reason to get into the band. Not only did they marry Hardcore with Ska music in the best example possible of Ska-core, but they also weren’t afraid to take a few risks with it too. Giving this song, already a superb song at 3-4 minutes, an extra 4 minutes of experimentation and intense build up was a stroke of genius, and it more than deserves a place here in the list. They bring in the one thing that makes Post-Rock not just Ambient Rock; the build-up. Start low, take a long period of time, and build up slowly over time, until a massive eruption of music finishes it off with style. No comply do it wonders here. Listen

Top 50 soon, folks!
Carl

The best 250 songs of the noughties: 100-76

250-226 | 225-201 | 200-176 | 175-151
150-126 | 125-101 | 100-76 | 75-51
50-41 | 40-31 | 30-21 | 20-11
10-4 | 3-1

100. Reuben - Shambles (Long Version)
I think I said it well enough on my Top 25 Reuben article… “When the Pilot EP came out back in 2001, the band named Angel had just decided to change their name to Reuben. On that EP, for the first 100 copies anyway, a two minute long song called Shambles graced the ears of fans, and they were intrigued. A rumour started to float around that the band were going to put a bigger, longer version of it on the EP, but the studio time ran out, and the short, two minute version was added instead. For years, Reuben fans cried out to hear the long version, and in 2008, they got their wish. The re-recorded song was much more in depth and showed Reuben’s progression as a band to the fullest extent, bursting with a kind of unrealised brilliance. Just before Reuben were laid to rest, their final song showed them at perhaps their most alive.” Listen

99. Alexisonfire - Young Cardinals
As soon as I heard this huge song shout ‘GO!’ I could not get it out of my head. It’s fucking furious and beltingly fast, but still has such a ridiculously brilliant melodic and anthemic chorus. Not to mention an incredible drum-line leading the whole song. It’s one of the best songs that Alexisonfire have ever delivered and in fact, every album they put out seems to beat the previous one, with their latest certainly being their greatest. This is a fine example of why, and if you haven’t heard them in a few years, it’d be a good idea to give this one a shot. It’s a superhero. Video

98. Taking Back Sunday - Cute Without The E
Gong way back in Taking Back Sundays history can be a very good idea. On their first album, there weren’t a lot of great songs, but this was one of them. So good, in fact, it remains one of their best 3 albums later. It’s fast and catchy, it’s got a brilliant string of vocals that can be brilliant to join in with. Everything that Taking Back Sunday do well, they do it best here. Video

97. The Holiday Plan – Stories
Nobody has heard of this band. If you have, you were probably one of the 20 people that tuned in to see MTV’s Breaking Point and saw The Holiday Plan go head to head with other bands to compete for Island to buy them up. Even if they didn’t win, it gave them a big launch as Island put out singles from each band. The double A-side single Stories/Sunshine was a stellar thing, both songs being awesome to the point of mind blowing. The Holiday Plan were just simply one of the best, most under-appreciated bands out there, and only their break-up and subsequent reformation hurt their career more than their small following. A brilliant band, a brilliant song. Just a shame they never released the recorded debut album. Sigh. Video

96. Million Dead - I Gave My Eyes To Stevie Wonder
As a one off single in-between albums one and two, you might expect ‘I Gave My Eyes To Stevie Wonder’ to be less than good. You’d be wrong, you nutter. To put it simply, Million Dead were one of the best bands of the noughties, and this is a perfect example of why. Frank Turner’s vocal prowess gave him command of a wonderful set of lyrics while some stellar guitar and bass harmony work gave the song it’s backbone and the drums gave it it’s legs. It’s a superb song and one which marries the thought of the song brilliantly with the video. Everything about it is just so darn good. It’s a wonderful song. Nobody puts baby in the corner.


95. Hundred Reasons - Casual Friday
Safe to say even if you have heard of Hundred Reasons, if you’re not a fan, you won’t know ‘Casual Friday’. As a B-side on their ‘Kill Your Own’ single, who really would? Me, that’s who. I went to all the fucking trouble of finding this, somehow, somewhere and making a playlist that led straight to it. Give it a go, eh? Listen

94. Beyonce - Crazy In Love (Feat Jay-Z)
Fuck sake, viewers, do I need to define everything for you? Here’s the 10-year old version of why it’s good. Eh… it’s got those good trumpet bits, and she sings dead good… I like the bits with the fire in the video too. That’s good. Here’s Rolling Stone: It “…roars out of the speakers on the strength of a propulsive horn sample and the charged presence of her pal, Jay-Z.” Good enough, you vultures?! Video

93. Misery Signals - Weight Of The World
If you don’t like your songs to be fucking loud, you won’t like this. Misery Signals are simply one of the best bands in their field right now. Their music is brutal, it’s got a lot of heart in it and it’s also a lot of fucking fun to listen. Somehow this man growling in your ear and the loud guitars and thundering bass and drums cheers me the hell up. Maybe it’s the melodic interludes that feature heavily in Misery Signals music that makes it work. Maybe it’s the sheer passion for the music that shoots out of the lads like lightening. Whatever it is, it works like a hellish little charm. Weight Of The World is the band at their most brutal, and is certainly a fine example of how to get it done. Listen

92. Rihanna - Umbrella (Feat Jay Z)
We’ve bounced from Hardcore to Pop to Metal and now were back at Pop again! I don’t think anyone can deny that this song is worthy of entry. It’s so perfect, yet so simple. You’ve got Drums and you’ve got Rihanna. And then a bit of synth for effect. And a bass hit here and there. But that’s about it. Add the unbeatable chorus line, and the lovely little sentiment and it’s perfect. It works wonders. Video

91. Funeral For A Friend - Recovery
This is officially the most danceable intro to ‘Emo’ music ever. Funeral For A Friend have had a good bunch of hits over the years, before becoming U2 anyway, so why did I pick this one as their best? Everything is here that you can find in their music; Brilliant chorus line, fantastic guitar work, superb song structure, a good dash of pop power thrown in for good measure. Listen

90. Brand New - Jude Law And A Semester Abroad
While Brand New are more concerned with writing ridiculously moody music (however fucking great it is) I still love the days when they were hateful little guys with pop brains. With lyrics perhaps on par with their hero of the time, Morrissey, Jude Law is perhaps one of their best songs from their debut album. Whether it’s “So here's a present to let you know I still exist; I hope the next boy that you kiss has something terribly contagious on his lips” or “And even if her plane crashes tonight she'll find some way to disappoint me, by not burning in the wreckage or drowning at the bottom of the sea,” it’s clear that he has a distinct dislike for a certain somebody. That dislike fuels the lyrics, clearly, but the music itself seems to oppose it, seemingly much more happy than the spit out words would have you believe. It’s a perfect combination; even if doesn’t sound like it here. Video

89. 65daysofstatic – Awaitrescue
65daysofstatic are an incredible band. This is an incredible song. It’s post-rock. But it’s more than that. It’s post-electro, if you will. Enjoy it; I think if I said any more I’d ruin it. Listen

88. Blakfish - Jeremy Kyle Is A Marked Man
A relatively young band compared to it’s companions here, Blakfish are hot off the press. This song was featured not long ago on Hear New Music 002, so since I’m having a hard time not saying ‘They have a Big Scary Monsters type sound’ I’ll see what I wrote back then. “This is the other headlining band from the Tubelord gig I was at. Boy, that was a night to remember. Their set was great and had an incredible ending too. The three members of tubelord ran on during the last song, stole to instruments from everyone but the drummer, and proceeded to play the end of the song, while Tubelord ran around the 13th note starting pits and jumping on tables. Great gig, and this song is great too. Their a little heavier live, but that is no bad thing!” Again, I avoided it there, but did I really say much about the song? Fuck did I. Oh well, It’s a great wee pop song. Get it in yer mind-grapes. Listen | Download Big Scary Monsters compilation

87. Queens Of The Stone Age - You Think I Ain't Worth A Dollar But I Feel Like A Millionaire
There is nobody who doesn’t love this song. If you say you don’t, you’re lying. It’s the intro to Queens Of The Stone Age’s best ever album ‘Songs For The Deaf’, and it might well be the best track one of the whole noughties. Coming straight out of your speakers like an off road 4x4, it’s blasts suckers left and right, before doing a fake ending and blasting more suckers after it. It’s a fucking beast of a riff, do it now. (Watch out, song doesn't start til two minutes in) Listen

86. Bayside - I And I
Am I the only person who likes Bayside? Answers on a postcard. Chiefly, Bayside may just be the best band signed to Victory Records. Admittedly, that wouldn’t be hard, but they are still a brilliant band. This song shows just exactly why that is. Listen

85. Devil Sold His Soul - Like It's Your Last
This behemoth stands at seven minutes and thirty seconds. Every single second is filled with incredible music. It’s somewhere between ridiculously heavy Metalcore and Post-rock. It’s something that, if you had asked me about it years ago, I would have laughed it off as a terrible fucking idea. However, this is a perfect example of how stupid I am. It’s a brilliant song and looses no brilliance from either genre to create something new. It’s something that, in small parts, has been pulled off well by a number of bands; most notably Misery Signals and Architects, to varying degrees. It’s a very interesting challenge at first, but as seen here, it definitely pays off. Listen

84. Sikth - Bland Street Bloom
Sikth were an incredible band. They were ridiculously heavy, very techy and incredibly singular. If you heard a Sikth song, you knew it was a Sikth song. ‘Bland Street Bloom’ is one their best from their second and last album ‘Death Of A Dead Day’. Every single person in the band was an integral cog in a stupendously awesome machine; Foord’s drums were unbeatable, Pin and Weller’s guitars were crazed killer riffs, Leach’s bass was indefeasible, and Mikee and Justin’s double-teaming vocal chaos is what made the whole thing worthwhile. Live and on CD, Sikth were and are a force to be reckoned with, and any band contemplating a career in Metal should strive to be half as good as these giants of the genre. Video

83. Mastodon - Blood and Thunder
If someone had said to you “Oh yeah there’s an album that’s based on the book Moby Dick,” you’d back away slowly for fear that they’d play the entire prog-opus to you. Luckily for you, it’s by Mastodon, and while they may have moved into more Prog territory of late, ‘Leviathan’ is a bloody huge awesome metal album. The musicianship is, as always, fucking fantastic, and really helps you feel like you are on a big bloody ship. The lyrics too, have strong grounding in the book, and actually sound like the most Metal fucking lyrics ever. “Split your lungs with blood and thunder, When you see the white whale, Break your backs and crack your oars men, If you wish to prevail.” Mastodon pulled it off and with pure style. ‘Blood And Thunder’ stands out as their finest track not only on this album but of their whole collection.



82. The Killers - All These Things That I've Done
I really fell out of favour with the Killers. Not least because they only had about 3 good songs on their first album, and none on any follow up. However, doing this list made me re-think my decision to ostracize them from my ears, and while I can never forgive ‘Mr Brightside’ or ‘Somebody Told Me’ which I think I’ve heard enough of for 10 lifetimes, ‘All These Things That I’ve Done’ shines like a diamond in the dirt. It’s a wonderful little song, and it still holds a little place in my heart. Video

81. Every Time I Die - Ebolarama
What a fucking beast of a song. It’s got a kind of swagger that I think only Every Time I Die can really pull off in hardcore music. It’s big, it’s shouty and most of all it’s fucking fun. What more, could you possibly, ever, want? Video

80. The Futureheads - A To B
This is the third and final Futureheads song to make the list, so it must be obvious by now that they are a fantastic little band. This much is true. This song is their best, too. Funny that. Listen

79. The Coral - Dreaming Of You
While I think that everything else this band has ever done has been a big pile of shite, it’s impossible to deny that ‘Dreaming Of You’ is worthy of inclusion here. It’s a brilliant little pop song that has a fantastically little dark edge to it. It’s got a great hook, and the band’s playing is never called into question. Not to mention the incredible vocals and lyrics. Working together they create a little heartfelt vision that perfectly pushed the song to be this damn good, and up to that point, their best performing single. Video

78. Justin Timberlake - My Love ft T.I & Timbaland
Christ almighty. You’d probably have been sitting there thinking “Where the fuck is JT?!” This is the first non-guest appearance of Justin on the list, and it’s well deserved to be this high. Everything about it is just perfect. It’s got a brilliant beat (Thank you Mr Timbaland), it’s Justin Timberlake singing at his very, very best and it has a slightly eerie appearance of a singing lady just in the distance. This combination gives us JT’s best single to date, and a fucking brilliant song to boot.



77. Queens Of The Stone Age - No One Knows
‘No One Knows’ is just brilliant. Dave Grohl’s drumming is a masterclass in brilliant drumming, innit? You know the song. You know the brilliance. Video

76. Saves The Day - At Your Funeral
This is a lovely little song. I always liked this song ever since I heard it, again, on Gonzo after a day of school. It took me ages to actually get into anything else by the band however, but this song has always remained a staple of my Mp3 player, and numerous mix CD’s. It’s brilliant every time I listen to it; it feels like a journey from beginning to end. From life to death, the song breathes and lives only to come to a final resting place at the end of the song. I absolutely love it. Video

Next part soon folks!
Carl