Showing posts with label A Wilhelm Scream. Show all posts
Showing posts with label A Wilhelm Scream. Show all posts

Wednesday, 21 April 2010

The best 250 songs of the noughties: 20-11

20. Gogol Bordello - Start Wearing Purple
Wow. When Gogol Bordello burst onto the music scene it was hard to conceive a band like this doing as well as they have done. In the wake of The Darkness being a mock-up of power-rock bands, could Gogol Bordello have been a mock-up of eastern European folk music? Whether they are or not is all now secondary, as the power and pure incredible fun found within their music is just undeniable. This is their serenading song and the single that launched them into the public eye. Rightfully so, as it packs a punch and is just incredibly fun and silly too. However, it is one song of many impressive songs, and thankfully Gogol Bordello are much more than one-hit-wonders.

19. Down I Go - Saparmurat Niyazov
While the band have been featured in magazines like NME and Kerrang! it’s safe to say that Down I Go may be a well kept secret. With their debut album ‘This is Disastercore’ storming through historical events with a new passion and flame for the terrible, terrifying and downright odd times in the past, their second album ‘Tyrant’ moved focus over to the terrible men who created many more awful situations. While songs focusing on Pol Pot, Joseph Stalin and George W Bush Jnr showed us the terrible in the world, ‘Suparmurat Niyazov really takes the biscuit. It’s this spectacularly odd and horrid man, I think, that lends itself to being a much greater song, inspiring Down I Go to write their best music surrounding him. After all, a man that leads his country to ‘Chew on Bones,’ ‘Shave your beard’ and build a ‘twelve metre high spinning’ statue of himself ‘made of gold’ which turns ‘to face the sun all day long’, is surely a man that inspires brilliant songwriting. This is evident here, in Down I Go’s crowning achievement. Listen

18. Anathallo - Don't Kid Yourself You Need A Physician
Having only heard this song from Anathallo, this could be a fluke. However, I would like to think not, as every second of ‘Don't Kid Yourself You Need A Physician’ fills itself with pure sunshine of stunning brilliance fuelled by a love for the warm sound of instruments. Every element of the song is perfect; the vocals are light and yet full of emotion, the backing vocals are a perfect accompaniment, the guitars are airy without being transparent, the bass is perfectly situated within the song and the drums are striking yet sedate. I haven’t even touched on the brass yet. It’s so warming and so uplifting, and every note fills me with a sense of energy and love. Put this all together and you have one of the greatest songs of the noughties, without an inkling of a shadow of a doubt. Inspired. Listen

17. The Postal Service - Such Great Heights
It’s hard not to be impressed with the Postal Service’s singular album. Every single moment is like driving home after a long trip, staring out of the window watching the world fly by. It’s one of those amazing times when your ears are highly receptive, and music like this is comes into its own. Each and every single blip and bloop of ‘Such Great Heights’ seems meticulously planned and caringly introduced to the song. The incredible electronic sound washes over you with intense warmth and blanketed soundscapes, when some people still argue that Electronic music is cold and unlovable. It can only mean one thing. They haven’t heard ‘Such Great Heights’. It’s a revelation.

16. 65daysofstatic - Retreat! Retreat!
Of course, not all electronic music is set to warm your heart with emotion. Some is meant to inspire explosions in your conscious and body. This is that very kind. Every single moment of this electronic fuelled post-rock experience is filled with superb love for the craft of the music which 65daysofstatic own as their own. ‘Retreat! Retreat!’ is from the band’s debut album and is as brilliantly crafted as it is chaotic, which sums up exactly what they were during that period. The fire in their bellies streamed out of their fingers and into their instruments. We, in turn, got to hear the various psychologically joy inducing sounds live and on CD and stood stunned as this incredible sound came from these boys. It’s an incredible song from an incredible album by an incredible band. What more is there to say?

15. Lostprophets - Last Train Home
I thought long and hard about which song from this album would make it high onto my list. When this album came out it was a revelation for a younger me, and while they further tarnish any hope I had in them with every succeeding album, I always return home to their first two superb works. Every single damn moment of ‘Start Something’ meant something to me and associates my memory with a good time. Before all that though, it was an album that I was dreading hearing, for the fear that it would never live up to it’s first single ‘Burn Burn’ or it’s predecessor ‘The Fake Sound of Progress’. I pressed play on my CD player and listened to every moment, and from that first listen, it was a favourite in my collection for years. Choosing one song to represent it though was an obvious choice when it came down to it, really, as ‘Last Train Home’ captured everything that the album meant to me. It was fun, reliable and still heavy. Most of all it conjured up feelings and memories inside me that far surpass any of the others.

14. Reuben - Return Of The Jedi
While I have waxed on about how important Lostprophets second album is to me, it still doesn’t match how important Reuben were to me throughout the decade. While their second album may have been slightly disappointing on first listen, it quickly grew on me. However, one song had always impressed me from first listen to last, without ever waning in my eyes. ‘Return Of The Jedi’ is an inspired, seven-and-a-half minute long behemoth of gigantean proportions. I don’t think I can say it any clearer than I did in my Top 25 Reuben article where the song reached number 1, so I won’t. “In truth (and the words of Dave Venom), it’s a song that “rages against the music industry with such venom”, while still keeping the Reuben upbeat pop sensibility, and utter lyrical grace. It’s Reuben at their most truthful, stating, “these here Helmet rip offs, they don't buy my lunch, so I will get a real job in the office, and I wont bother to make my music, and I wont bother to sing my songs”… Felix Carter explains, “the "Sure..." sung in the last seconds of the song, I always took to be a sarcastic retraction of the previous verse (“I wont bother to make my music”). As if he was so in love with music that it had become an indispensable part of him, and regardless of how poor he was, or unsuccessful, he could never give up music. It's an inspiring sentiment for any musician; now bathed in the twisted light of irony, given Reuben's decline.” What else is left to say?” Nothing, really, Carl of two years ago. Nothing at all… [Was only able to find a live video from their DVD 'What Happens In Aldershot Stays In Aldershot']

13. Battles – Atlas
If you have never experience Battles, you haven’t lived life. If you haven’t seen Battles live, I feel very sorry for you and your wonder-less existence. This band of aliens from another planet heard our music from a distant world and beamed down to show us what they did with it. Let me tell you, it’s inspiring. This seven-minute riot anthem is their crowning achievement and is full of wondrous riffs, vocals, bass, and most of all, drums. The drums in this song sound like a 4-armed man plays them; so thick and so beefy, yet so precisely executed. This is perfect for any party you attend; a club, a kids birthday, the inauguration of a president, a birth or a death. Put this on, everybody be lovin’ it. Try at it your next convenience. Listen [below is the Radio-edit length video]

12. Anthrax - Safe Home
A song title that has become synonymous with parting friends in my circle, ‘Safe Home’ is an excellent song. It’s pure metal energy and ferocious attitude perfectly offset the lovely notion of getting home safe. “You have always been my safe home” Keanu Reaves mimes in the video, and Anthrax sings on CD. Everything about this song is just right there, being brilliant; the vocals, the Drums, the bass and the guitars? Oh, the guitars. The solos here cry out to be heard and are perfectly situated within ‘Safe Home’ giving the song an oomph factor above any of the other Anthrax tunes. To call it anything less than essential music from the noughties would be to do it and yourself a disservice.

11. A Wilhelm Scream - The King Is Dead
Officially, this has the best intro to any song ever. That could be an over-exaggeration, why don’t you have a listen and tell me what you think? Oh, you agree. Exactly! It’s as epic as it gets and the dirty little secret is… it’s Hardcore! No-one does it, at least not in this generation of hardcore. It’s something so hard to find and it something that is unique to A Wilhelm Scream. The epic-etude continues for the whole 3 minutes of fast, potent music and absolute wonderful guitar mastery. Everything comes together here so damn well and there is no better way to open up your album than with something this damn good.


Top 10 very soon!
Carl

The best 250 songs of the noughties: 200-176


200. Gorillaz - Clint Eastwood

A forgotten gem, perhaps? It’s got such a swampy feel too it, and it drags you into the perfect listening position wherever you may be. It was a great launch pad for Gorillaz, and luckily, it’s such a brilliant song it holds up strong now, even if the cartoon band may have become tired.


199. Green Day - St. Jimmy
Green Day shot from big to massive in the noughties, and with ‘American Idiot’ as their anthem, rightly so. It’s a pretty good album, when you strip back the gloss, and this is the best song on it. It’s just a fast punk number, with no grandiose overtones that may seem to overshadow some of the songs on ‘American Idiot’. It’s unfortunate that they washed out the punk and glossed their entire sound up for the follow up. Listen

198. Snoop Dogg - Drop It Like It's Hot (Feat. Pharell Williams)
While Timbaland may have been the best mainstream hip-hop producer, it didn’t stop Neptunes from trying very very hard. Unfortunately, it failed more than it worked. This is that rare exception. It’s one genius layer on top of another genius layer and every one has been pulled off perfectly. It could have sounded bad, but they had Snoop Dogg on top of all the layers, who’s syrupy, voice made the whole song cake worthy of a party. (Took a while to get to that metaphor, eh?) Video

197. Taking Back Sunday - The Union
It’s the best Taking Back Sunday song that isn’t a single. It’s a giant behemoth of a song hidden in an album of slightly wispy ones, and as such, it blows the rest of the album away. It’s fast, it’s energetic, it’s got some big fucking riffs and it sounds awesome. Plus, I feel this is the best time that TBS pulled off the double vocal effect without once sounding silly. Listen

196. Willy Mason - Save Myself
Jeezo, this kid. What a boy. He can write some fucking songs, he can. This is best of them, it’s light, but never looses power. It’s perfectly underplayed, with strings sitting just behind all the other instruments, lifting the whole song up to lofty heights. Beast. Listen

195. The Polyphonic Spree - Soldier Girl (UK Single Version)
Specifically, the UK Single version. It was a re-recording, and it made the original 10 times better that it was before, and it was great! I can remember many times dancing around the living room to this song, and it has a brilliantly uplifting sound to it, which may have been caressed from Beach Boys via Super Furry Animals, but still has it’s own qualities that make it worthwhile in it’s own right. Video

194. The Snake The Cross The Crown - An Honest Misappropriation of Funds
If you’ve heard of this band before reading this list, well done. If you like this band, you get a gold star! This band is incredibly good, and they have such an original sound that cannot be bested by anyone in their field. This year they threatened to pack it in, and I was immediately looking at flights to the USA to see if I could see them. Unfortunately, I’m skint. But it made me look anyway, they’re that good. They’re like a dark version of The Beach Boys, brought up on hard rock, country and post-rock. Basically they’re fleet foxes, but good. Sample

193. MGMT - Time to Pretend
Fuck it, do I need to explain this one. Have a look at any decade list that lets in any percentage of indie and you will find MGMT. Even though some idiots will pick ‘Kids’ over ‘Time To Pretend’. This is where it’s at. It’s an underwater kind of song, with a very childish sense of life and risquéness. And then of course, the incredible breakdown section at 2:10. Superb. Listen

192. Onelinedrawing – Smile
Jonah Matranga is a pure champ. This is a perfect example of why. Who needs an expensive studio sound, when you can record pretty decently at home and spend the most time possible out on the road connecting with people? This song captures the feel of a Jonah live show and what the man is all about. He wants to make you smile, and for me it works brilliantly. Listen

191. Soulja Boy - Crank That
YOU! It’s dumb as fuck. It’s most likely terrible. But for this one, you need to suspend your inner critic for a moment. Let yourself get taken away by the fun and entertainment it delivers. That’s right folks… IT’S A FUCKING MASTERPEICE.


190. Audio Karate - Who Brings A Knife To A Gun Fight?
This song is superb. I only heard it about 6 months ago, even although it came out in 2004, but it’s been on my mp3 player constantly since. It’s a beast and it’s full of energy, and it’s a great way to end a pretty good album. You’ll love it, suckas. Listen

189. The Futureheads – Area
The Futureheads are a great band. No doubt about it. They may have slipped into shitness on their second album, but before that came out, they made sure to release a stand-alone single called ‘Area’. I raced out and bought it as it was and is, a bloody great song that should have been jumping off point for album two. Full of energy and power, they really go for it on this sure fire belter of a song. Video

188. The Prodigy – Spitfire
I’m sure I wasn’t the only one to be left a bit bewildered by the Prodigy’s absolutely awful standalone single ‘Baby’s Got A Temper’. So when this absolute beast of a song was released two years later, you could officially say that The Prodigy were back on form. They literally blow up out of the speakers and don’t stop exploding for 5 minutes. It’s a beast. Beast. Bst. B. Listen

187. Errors - Salut! France
Now we turn to Glasgow’s homegrown heroes Errors’ and their superb ‘Salut! France.’ It’s grade-a post-electro, a genre which I love… but can’t seem to find enough of. Errors have been the best yet though, and this superb little ditty will have you swaying in your computer chair for the full three minutes. Video

186. Thursday - Jet Black New Year
Thursday haven’t done a lot of stuff I’m particularly fond of, but this is an undeniably brilliant song. Again, a song released between albums, Jet Black New Year is an incredible post-hardcore song with great ferocious guitars and a thunderous rhythm section. The countdown from 10 to 1 is inspired and the focal point of the whole song. It’s all-spectacular and it’s only a shame that nothing else they’ve done has made me this enthused. Listen

185. New Found Glory - Don't Let Her Pull You Down
New Found Glory went off the deep end and into an odd indie place when they made ‘Coming Home’ in 2006, so it was great to see them return to their more progressive pop-punk on the 2008 EP ‘Tip Of The Iceberg’ and continue to build on it on their next album ‘Not Without A Fight’ in 2009. Their Hardcore influences were stronger here than on any previous album and it gave them an edge over anyone else in their genre, with this track showing the best example of why. Video

184. The Rumble Strips - Alarm Clock
This song is near perfect. It feels like it could have been written by a 15 year old, but Charlie Waller was at least 10 years older than that when the song came around. That may not sound like a compliment to some, as we all know how rubbish we were at that age, but Waller captures the sense of being young and the youthfulness translates not just through the lyrics, but throughout the music too. It’s an incredible little song, and it has a huge amount of power for a song about an Alarm Clock. Listen

183. Something Corporate - Punk Rock Princess
For me, this is one of the songs that stuck with me from the days of Napster, when I was a kid. My brain at the time said ‘What do I like?’ I replied ‘Punk’, typed it in and downloaded everything, just to hear it. This is the only thing I remember falling in love with, and while it may be ridiculously cheesy it also led me into lighter music than that which I was accustomed to, and kind of made me have the music taste I had today. Sure, It wasn’t just this, but this was definitely strong enough to make me take notice. Listen

182. A Wilhelm Scream - The Horse
Every single AWS album from Mute Print to Ruiner to Career Suicide was this excellently honed sound, and a sense of love for their craft that I’ve not heard any other Hardcore band possess. ‘The Horse’ is a great example of just what they can do. Brilliant melody, fantastic vocals, incredible guitar work and a huge wealth of songwriting that just can’t be faulted. And live? Hot damn, this is the shit. Listen

181. My Chemical Romance - Teenagers
If you can fault everything else that My Chemical Romance do, I can’t blame you. However, to deny the power and charm of this superb song which harks back to the Glam rock of the 70s, is just plain silly. It’s an incredible song, and you could be forgiven for thinking that it’s a pretty straight cover from the period. Video

180. Folly - Please Don't Shoot the Piano Player He's Doing the Best He Can
A relatively unknown band, Folly lived the majority of their musical life out in the noughties, and this song captures the power they had at their disposal. A very ferocious and intriguing blend of Ska punk and Hardcore that almost never feels silly, which is a feat in itself. This song is a 4-minute demonstration of their skills behind their instruments. Listen

179. The Lonely Island - I'm On A Boat (Feat. T-Pain)
You’d be forgiven for thinking that T-Pain is a comedian, and a good one at that. This is a perfect example of a comedy record that works on both levels. It’s hilarious, but it actually sounds incredible too. The production value is huge, and T-Pain’s spark at the end of the song is a pure work of genius and the song wouldn’t have been half as incredible as it is without him.


178. The Offspring - Want You Bad
At one point in my life, this band were the best thing I’d ever heard, and it was right around the time the album ‘Conspiracy Of One’ came out. That album was always on my stereo at that time, and I had a big hoodie with the logo emblazoned on the front. I loved them. Then I realized that there was better music out there and they fell by the wayside. However, they did bring out this absolutely stunning single at that time, and that has definitely stuck with me all this time. It’s catchy, it’s simple, it’s poppy, it’s punky and it is obviously their best, unequalled song. Listen

177. Poison The Well – Nagaina
It’s got a lazy little swagger, a rather folksy vibe and it’s everything I thought Poison The Well weren’t. Well, at least for the first 90 seconds. But still, that ballsy foray into that different a songwriting rarely pays off this well, and to call it anything less than splendiferous would be an utter lie. And when it’s not swaggering about like a drunk, it’s kicking the fuck out of their peers with huge fucking riffs and a thundering galloping rhythm that sweep your legs and punch you in the gut. Superb. Live Video (best I could do!)

176. Lazlo Bane – Superman
Yes, Scrubs did introduce me to this song. And while I do love Scrubs, I am by no means biased towards this occurring in my line-up. In many a television show I find myself skipping the theme, never listening to it out with the show. However, not only did this song perfectly capture the show I have come to love, it’s also an absolute stunner of a lazy summer pop song. Listen

Part 4 soon!

The best 250 songs of the noughties: 225-201

225. Nelly - Ride Wit Me
Look all you want, you won’t find ‘Hot in Herre’ on my list. However, Nelly did produce something I think is entirely worthwhile of entry onto the songs of the decade list. It’s perfectly fun, light and laid back, and it doesn’t try and impress much on you. It does what it does and doesn’t mind if you walk on by, it doesn’t need your attention. And I love it for that. Listen

224. Hundred Reasons - Kill Your Own
Hundred Reasons were, at one point, my favourite band. By the time this had rolled around, I had moved on to better things, but this showed me what I was missing and tempted me back to the Hundred Reasons fan club once more. I mean, Andy did ruin it by leaving, and they’ve never been the same since, but this was certainly one of the best songs they created together. Listen

223. Ne-Yo – Closer
I hated the stuff by this man. He’s rubbish. He really is. But somehow, I can’t deny this utter charmer on this excellent pop song. It’s so stripped back, yet so danceable, and it has a brilliantly catchy chorus that will stick in your head for days. I almost didn’t include it for petty pride, but I just couldn’t, it’s that damn good.


222. Metric - Monster Hospital
It’s a great little rock song that perfectly pulls off the line “I fought the war, But the war won.” It’s so small, yet opens up a world to the listener that should make them think at least a little. And if not, you can definitely shake your booty to it on the dancefloor! Listen

221. Sean Kingston - Beautiful Girls
It’s a perfect little slice of pop heaven that has a subtle darkness to it. And that is what makes it perfect. The kid is ‘Suicidal’ when the girl breaks up with him. It’s lovely and slightly OTT, but works like a charm. Listen

220. Mastodon - Hand Of Stone
It’s that sultry riff that lures you into a false sense of security and your lapped up in the waves of ‘Hand Of Stone’ until it’s closing second. This song is a beast and it will take you away on a magical trip of epic guitar playing proportions. The axe work on this one is just the stand out work from ‘Blood Mountain’. Listen

219. Paul Anka - Black Hole Sun (Soundgarden Cover)
Even Paul Anka, who’s been making hits for decades can still bring out something that will impress anybody. This sensational cover of Black Hole Sun is superb, and about as far away from the original as possible. It’s brilliant, if a little odd at first! Listen

218. Deftones – Hexagram
Most of Deftones’ best stuff came out came out before the decade had even begun, but they were still able to hand in a good effort with this incredible number that is packed full of punch. It has a great wee melody at it’s heart too, which makes the whole thing ramp up a level. Video

217. The Streets - The Irony Of It All
If there were ever a song that aptly pitted a drunken lout against a lovely weed-smoking bloke, this is it. Actually, I think this is the only one. Still, it’s a genius little number that Mike Skinner perfectly crafts in a way that only a man who is just a little of both could do. It’s got a good beat too.


216. Brand New - Sic Transit Gloria ... Glory Fades
It’s the bass line. That super little bass carrys this tune on it’s back that makes the whole song feel dirty, and pulls an absolute gem along with it. It’s a little sultry number with an explosive chorus that shows up the rest of the albums weak points by being so damn good. Video

215. System Of A Down – Toxicity
Right then, System entry 2. This is where I should mention there can be more than one track by any artist… because I’m not a fucking idiot. Anyway, this song is great. What more do you want? Fuck you. Alright then, It comes from System Of A Down’s superb second album, and while I could probably have picked any song from it, I picked this one because it tends to hold the album together, encompassing everything that makes the album what it is. Probably why it has the same title, you muppet. Listen

214. Dave House - You Are On My Frequency (Live Band Version)
This is the single version of Dave House’s brilliant song of the same name from his superb debut album ‘Kingston’s Current.’ This version adds just about everything it can, but never feels crowded, and never feels forced. This is something that obviously was a superb idea and completely changed what Dave House thought he knew about making acoustic music. “You don’t have to do it acoustically,” he said. He didn’t but for a second there you thought you were reading the NME didn’t you? Just thought I’d bring you down to earth. [So, this is the first one I couldn't find on the web! Here's the original acoustic version and the first 30 seconds of this is a snippet of the full band version.]

213. The Eighties Matchbox B-Line Disaster - Mister Mental
It’s a speedy little number that blisters through it’s 3 minutes as if it were nothing at all. But you? You’re changed forever. You have to go back and listen, again and again. It’s a fantastic song by a band that aren’t that fantastic… but they look cool. I guess you can’t have everything. But is this song enough? Yes, it is. Listen

212. Puffy Ami Yumi - Tokyo I'm On My Way
This song is brilliant. It’s written by Dexter Holland from the Offspring, and sang by the same girls that sang the Teen Titans theme. Clearly, a match made in Pop-Punk heaven. That is all. Video

211. Jimmy Eat World - The Middle
Some people may think that this is really low for a song that is this good. However, those people are idiots, as every song on this list is BRILLIANT. And at some point you have to make choices. I made this one. This is a super little song that is too good to analyse really. So I won’t. Except… That solo is fucking sweet. Listen

210. A Wilhelm Scream - The Rip
Right from moment one, this song will floor you. It’s a little beast that kicks you in the teeth and jumps on your bleeding face for 3 minutes relentlessly… or whatever is the best equivalent of that. Ice cream. This is like a whole big double cone of awesomeness… with blood for raspberry sauce. It’s a belter. Listen

209. Fony - Circles
Let’s get serious for a moment. This is the song that introduced me to Post-Rock. I know, fucking dumb huh? This little nu-metal band brought out the album ‘Circles’ and aside from having a couple of acoustic songs you can find on most metal albums nowadays, it was entirely angsty nu-metal. Apart from slap bang in the middle, they had a post-rock song. A post-rock song. It was amazing. Sure, it made me think “why are the band wasting their time on the other 90% of this album,” but that doesn’t matter. The rest of the album was good, but this was from another world. I love this song, and what it introduced me too, so I thank Fony for the impact they had, even if they did became a terrible indie band on album number three. Go figure. Listen

208. No Comply - The Price Of You
There is nothing bad I can say about No Comply. No way. They took hardcore, and threw in brass instruments, and somehow, it really fucking works. Not to mention that there is some superb riffs in here, along with really emotional vocal work from Kelly. They played the Thursday night at Leeds festival one year, and I met the band the same weekend and they were the nicest people I’ve ever met. Well, apart from my family and friends, but they don’t count. Super wee band, shame their gone. Video

207. Head Automatica - Beating Heart Baby
The cheesiest thing one of the best Hardcore frontmen ever could do? Yes. Does it work? Absolutely! It’s an excellent experiment into pop by a legendary man. However, the album surrounding it was god awful, and there was really no need to draw it out for two of them, was there? Really, he should’ve just gotten back to GlassJaw sooner, rather than be a dick and fire everyone. Still, it’s a choon! Video

206. Protest The Hero - The Dissentience
It’s math-metal. Now that all the fuck-o’s have gone, all you geniuses have a listen and tell me that’s not just the finest motherfucking stuff you’ve heard since the last time you tapped your guitar like it was a typewriter, Shakespeare. I don’t care if you don’t agree, I fucking love this guitar wankery, especially that bit at 2:55. Superb. Listen

205. From Autumn To Ashes - The After Dinner Payback
You won’t like this song. But I do and I know someone else who does too. Get it up ye. It’s like Pop invaded emo and they had a deformed child that didn’t understand pop too much, but gave it a shot anyway. It’s sloppy, it’s trying to hard, and it has a bloody great drummer. It’s the love that you feel that makes this track what it is. Do you feel it? Right there. That’s love. Probably. Video

204. Rise Against - Prayer of the Refugee
This is what happens when one great song has sex with another great song. It switches back and forth between the two positions and each one has it’s merits. It’s calm and loving at one minute and a powerful thrusting beast at the next. It’s brilliant.


203. Laura Marling - The Captain And Hourglass
Laura Marling is something of a brilliant little songwriter, and this song is the perfect example of her songwriting prowess. It’s got a distinct air about, and nothing much happens, but it’s enough. It’s just so powerful, without doing very much, and that’s the kind of song that no-one can deny. Listen

202. Matchbook Romance - You Can Run, But We'll Find You
I hear you moaning “Ugh… emo.” I hear you. You can fuck right off. Denying this perfectly dark little pop song into your heart just because it has connotations of “emotional hardcore” is your bad. It broods, it sways and it bleeds glorious little beads of enigmatic sweat that it will use to drown you in a superbly good guitar lick and tempo change. It’s amazing, so fuck you unbeliever! Hello? Anybody there? Come back! Listen

201. Sparta - Cut Your Ribbon
Will I get shot for putting this above ‘One-Armed Scissor’? Probably, but I couldn’t care less, as this song is just far superior. It’s got a power and drive that At The Drive-In dive right over, while Sparta bathe in and come out with a dark and light blend that is one half hardcore and one half pop. Superb. Listen

Part three soon!